A poster of Tarkovsky's 1966 film Andrei Rublev is seen on a wall. There are many directors I would regard as good or very good (for instance Kubrick, Kieslowski, Ozu, or Miyazaki), but there are only two directors I regard as absolute geniuses: Akira Kurosawa and, yep, Andrei Tarkovsky. Some press interviews and writings of Tarkovsky leave no doubt that all of these events are true recollections concerning his family, his life as he has lived it and felt it. War footage of Russian tanks at the liberation of Prague, dead soldiers, artillery batteries, Bikini atomic test (1946). Mixed in are documentary footage sequences and poetry readings. 198 of 220 people found this review helpful. I found this film quite difficult to get into since I'm more used to conventional plot driven narratives, a concept that was anathema to Tarkovsky. Poem by Arseni Tarkovsky, read by the poet. The film went through some pivotal moments in the daily life of the World War 2 and Post World War 2 Soviet Russia. After I watched this for the first time I was left feeling confused, irritated, and a bit angered by what I perceived to be willful obfuscation. This can, of course, come in the form of a thrilling action movie with scenes and dialog that stick with us long after we see them, and in its purest form, it can come as an expression of the inner workings of someone's mind. And yet the pull of dreams are un-mistakable in this work. But in "Zerkalo" family and home are presented as a foundation of human existence. The Mirror is a haunting and deeply personal look at the life and memories of a dying man. He directed several student films, co-directed a documentary, and was the author of numerous screenplays, both for his own films and for those of other directors. This is where Tarkovsky's genius comes to fore - to create a film which does not dictate to an audience how to feel by manipulating them via music or mise-en-scene, but to make it the other way around. The Mirror is a terrific drama that is engaging from start to finish, and if you enjoy Andrei Tarkovsky's films, you'll surely love this one as well. | (as Andrey Tarkovsky) The First Day (1979) Stalker (1979) The Mirror (1975) (as Andrey Tarkovskiy) Solaris (1972) (as Andrey Tarkovskiy) Andrei Rublev (1966) (as Andrey Tarkovskiy) Ivan's Childhood (1962) (as Andrey Tarkovskiy) The Steamroller and the Violin (1961) There Will Be No Leave Today (1959) (as A. Tarkovsky) The Killers (Short 1956) (as A. Tarkovskiy) Get the IMDb App. AKA: Mirror, White, White Day, Zerkalo. He shot to international attention with his first feature, Ivan's Childhood (1962), which won the top prize at the Venice Film Festival. The ceiling comes crashing down. Of course Tarkovsky is not alone in having done so (Marker and Greenaway immediately spring to mind), but what distinguishes him from other "art house" directors is that he has managed to take this style of film making and drive it to a stage that can be described as almost perfect.I personally interpret Mirror as a man's life flashing before his eyes before he dies; his relationship with his wife and mother (both played by the same person, in an ingenious move on Tarkovsky's behalf), his children, his friends, the history of his home land, his own childhood. For almost the entire film, every square inch of screen is minutely painted. A ceiling collapses in a rainshower. That's a rhetorical question... one that only viewing it can answer. What I'm trying to convey is that there is a lot to digest after witnessing this work of art. The Mirror – Ayna. Certainly the Soviet authorities did their best to limit the venues where this film could be seen, condemning it's personal nature as decadent, self-indulgent and against the formal traditions of Soviet cinema, a cinema which Tarkovsky himself did not have a good word for. Mirror’ is a semi-autobiographical film of the director himself and deals with the filmmaker’s philosophy of ‘film-image as art’, which he elaborates further in his book ‘Sculpting In Time’. The filmmaker's autobiographical cinematic expedition is without form, which is both captivating and frustrating. Clip. In this respect Tarkovsky came closer than anyone else to truly representing how the human mind picks and chooses certain images and moments from … Mirror is further proof that Tarkovsky's body of work (which is limited in quantity - a mere eight films - but rich in scope) establishes that the Hollywood mode of narrative is not the only way in which film can create an emotional response from an audience. Seven year old Sasha practices violin every day to satisfy the ambition of his parents. I just finished watching it. I was helped by some reviewers who pointed out that the scenes occur in one of three time periods: in the 1930s prior to WWII, during the war (with footage from the Spanish Civil War), and in the 1960s. It's only after repeated viewings and the realisation of what it actually was that Tarkovsky tried to achieve that it dawns that this is more than just a bunch of random scenes, but a timeless and highly important masterpiece which defies explanation. Already withdrawn as a result of his routines, Sasha quickly regains confidence when he accidentally ... See full summary ». As a result, many of his films would seem like an astonishing feat. Nov 18, 2019 - Explore Tom Dechat's board "Tarkovsky", followed by 150 people on Pinterest. A man clutches some feathers in his hand, and a bird flies out. He had no time for surrealism either, pointing out that Dali himself had rejected the concept as facile. I was ready to give it 3/10 for the cinematography and Margarita Terekhova's performance, but then I read some reviews where I saw comments like: "masterpiece"; "best film of all time"; "my favorite film"; "perfect". If all of that makes The Mirror sound like a difficult viewing experience, it is. Tarkovsky is a bit different from other slow cinema artists that dominate other parts of the world. It's silly to think I or anyone is going to figure out the purpose and meaning behind life, but if there's anyone that'll make you feel like you're a little bit closer to figuring it out, it's Andrei Tarkovsky. The Mirror made it to the top 30 up from #67 last year, while Andrei Rublev is up to #22 from #42, and Stalker is up to #54 from #117. It is, at once, both a look back at the rigors of childhood, and an altogether seamless blend of reality and sleep. Browse Andrei Tarkovsky movies and TV shows available on Prime Video and begin streaming right away to your favorite device. It's actually sort of amazing to me that this film is only an hour and forty seven minutes. Many critics questioned whether the images were symbolic in some way, but Tarkovsky dismissed symbolism as decadent. 7 Andrei Tarkovsky films everyone should watch - Russia Beyond. His childhood, his mother, the war, personal moments and things that tell of the recent history of all the Russian nation. Andrei Tarkovsky: A Life on the Cross. See all photos. Oh, and at random intervals the film moves between black and white and color. 2 h 41 min. The Mirror, the fourth feature film of the Russian master auteur Andrei Tarkovsky, is a semi-autobiographical film presented as the memories and dreams of Aleksei, a dying poet. It is loosely autobiographical, unconventionally structured, and incorporates poems composed and read by the director's father, Arseny Tarkovsky . Andre Tarkovsky's The Mirror is at once a personal recollection of a lifetime of sorrows and a remembrance of wartime emotions perhaps long forgotten by most. IMDb.com; Wikipedia; Netflix; The Mirror (Zerkalo) A stuttering student is hypnotized to cure his impediment. Awards However, I'd actually say that "The Mirror" is the easiest Tarkovsky film to interpret. Alex r Super Reviewer Apr 01, 2013 There is the melancholy of loss, without bitterness. See more ideas about Cinema, Film, Cinematography. A man seeks answers about life, death, and the existence of God as he plays chess against the Grim Reaper during the Black Plague. The most famous Soviet film-maker since Sergei M. Eisenstein, Andrei Tarkovsky (the son of noted poet Arseniy Tarkovsky) ... Kubrick's '2001' (though Tarkovsky himself was never too fond of it), but he ran into official trouble again with The Mirror (1975), a dense, personal web of autobiographical memories with a radically innovative plot structure. The Mirror (1975) Turn off light Favorite. despite the autobiographical nature of “mirror”, the introspection comes from its audience rather from its filmmaker. A delusion as beautiful as Lucifer's smile... You know you're in trouble when the narrator refuses to talk to you, but spits bad poetry left and right Tarkovsky's pretentious sloth. The film depicts a Russian writer (Oleg Yankovsky) who visits Italy to carry out research about an 18th-century Russian composer, but is stricken by homesickness. Ordinary criticism doesn't apply, there is no comparison between this and any other film. Told with a visual style that had me literally pausing the film to take it all in, Mirror introduced me to a life so distant from my own but through a lens that felt so familiar. Film is then in a special position to present the thoughts, beliefs, and actions of a character or characters by a creator talented enough to convey them. MissMIster Καλλυντικά Ομορφιά & Υγεία . A harried movie director retreats into his memories and fantasies. With ‘Mirror’ Tarkovsky relentlessly strips off the narrative spine of filmmaking - storyline, characters, scenes, dialogues, poems, hypothesis, newsreels are instead interlaced into several different time zones so as to create an organic unity of idea and form. for self-reflective, introspective filmmaking. There is no plot, at least in the traditional sense of the word, and much of what happens is steeped in heavy symbolism. The Mirror Menu. Cinematic Photography Film Photography Film Science Fiction Best Cinematography Movie Shots Film Studies Famous Movie Quotes Film Inspiration Ex Machina. Like a looking glass, reflecting both clear and distorted images of the world, the picture plays like a feverish, waking dream; it is a film, as if seen from the eyes of man, slowly fading away, slipping in and out of reality. In "Nostalghia" Gorchakov is dying of home-sickness, he constantly dreams of his home in Russia, and after death is rewarded by being taken to the home, placed inside a decreipt Italian temple in one of the most unforgettable shots in cinema's history. Three films by one director in that top 50 is the kind of thing achieved by figures such as Federico Fellini, Alfred Hitchcock, and Orson Welles, and them not always, which speaks volumes to the burgeoning esteem for Tarkovsky. He shot to international attention with his first feature, Ivan's Childhood (1962), which won the top prize at the Venice Film Festival. Mirror thus forms the third part, together with Tarkovsky's previous film Solaris which was made in 1972 and which references Andrei Rublev by having an icon made by him being placed in the main character's room, in a series of three films by Tarkovsky referencing Andrei Rublev. User Ratings There is no story as such, but the memories, dreams, and current real life of Aleksei, a man in his 40s who is dying. The film has merits, some lovely shots, some good mood stuff, but I found it utterly painful and pretentious... self conscious and messy. Andrei Tarkovsky - IMDb. Film International. Aleksei the protagonist whose face is never revealed (since the memories shown are his true face) is recalling all the memories, dreams, thoughts, and feelings that he once encountered. Was this review helpful to you? I figured that there must be something to this film that I missed, so I thought it was worth a second try. Filmography. Search for screenings / showtimes and book tickets for Sculpting Time. I hate to think how unbearably pretentious this film could have been in the wrong hands. Not only do the real and surreal collide; time shifts randomly and the natural world becomes a character in its own right. I congratulate any person who absorbs this on first viewing, Visual beauty made indelible and significant. If you have experienced Mirror, and by experience I mean much more than just having watched it (the experience may take multiple viewings to achieve) then you will realise the futility of describing or reviewing this film much in the same way as the inadequacy of a second hand account of a mystical experience. He directed two stage plays and one radio production, played minor acting roles in several films, and wrote a book on film theory. A man in his forties is going to die and remembers his past. Based on Tarkovsky's own screenplay, it contains events of his life-time. IMDb 8.1 R. Andrei Rublev. 'Mirror' is a poem written in light. 1975. We use cookies and similar tools to enhance your shopping experience, to provide our services, understand how customers use our services so we can make improvements, and display ads. 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