Listen to I've Been Loving You Too Long - Remastered Mono Mix of Stereo from Otis Redding's Otis Blue: Otis Redding Sings Soul [Collector's Edition] for free, and see the artwork, lyrics and similar artists. No mention of the Duophonic process here, which slightly predated Stereophonic. It appears that the streamlabs obs doesn't have that option so my stream is just through one ear. My point is not to say one format is “better” than the other which in most cases a subjective matter. Stereo as a consumer audio format dates back to the late 1950s with the introduction of the stereo LP, but monophonic LPs didn't fade all that quickly. This forth album is a little more anonymous. “To play a stereo record, collectors initially needed specialized setups, or they would risk damaging their equipment and records.”. That’s what stereo is -- audio on the Right and the Left side. some songs sounds better in mono – some sounds better in stereo. … The stereo mix places you squarely in the middle of a live-and-laughing audience. ... TAJ MAHAL/THE NATCH'L BLUES UK MONO 58-63397 VS UK STEREO S 8-63397 The stereo version of Piper At The Gates of Dawn was much more widely distributed, but many argue that the mono is better. Stereo Records vs. Mono Records If you're a record collector and you collect albums made between 1957 and 1970 or so, you're likely to encounter something that compact disc buyers have never had to deal with – copies of an album in either mono or stereo. So the big news here is the 2014 remastered mono Beatles LPs are the first to be 100 percent all-analog albums since the 1980s. The most accurate way to do this is to record a performance live with a single pair of microphones positioned to capture that time and spatial information. When you get down to the nuts and bolts on the production side, the recording and mixing processes differ depending on the track, engineer, band input, and a collection of other factors. Any discs have all STEREO Otis Redding? Very minor corner ding as seen in pic From the album "Otis Blue: Otis Redding Sings Soul (Collector's Edition)" by Otis Redding on Napster The US majors began phasing out mono in fall 1967 by making them more difficult to find in shops, but they didn’t instigate the hardcore phase-out until the first few months of 1968 (again there are some very notable exceptions). (admittedly sometimes noisy) vinyl versions. It also accounts for probably about 0.1 of listening time… so… mono.. better? The other is “Hawaii Tattoo” by The Waikikis, with an electric organ counterpoint on the LP, missing from the 45. First, hardly anyone was doing dedicated mono mixes in the US by 1968, plenty of mono titles from that year are actually folded-down from the stereo masters. You are using two mono microphones to create a Stereo Image of an acoustic instrument being recorded. Undeniably, there is a lot more nuance and complexity baked into the differences between mono and stereo records. Pepper’s Lonely Hearts Club Band as an example of mono versus stereo, because both mixes were done well (though the mono mix received much more attention from the band). Recording Studio in Portland, Ore. Back in the mid-20th century, there were no cassettes, no CDs, no MP3s. © 2021 CNET, A RED VENTURES COMPANY. Stereo Audio Files. Most monophiles are jazz lovers, but there are legions of Beatles fans who much prefer the mono mixes of their albums. Understand that there’s ambiguity here, and the “STEREO” label on an album cover is sometimes a misnomer. Am I making sense? See all 124 formats and editions Hide other formats and editions. Again, history can guide your decision. thank you all! With a really decent set of open-back, over-the-ear headphones the sound shouldn't be stuck inside your skull; music should sound like it's coming from just outside your head, from all around you. Complete sua coleção de Otis Redding. Kind of Blue -Mono & Stereo Versions Miles Davis Format: Vinyl. Playback systems that make use of two speakers are referred to as stereo systems. Retailers hated the "double inventory" requirements of carrying stereo and mono LPs of the same album, so monos quietly faded away. ALL RIGHTS RESERVED. What’s the deal? There’s certainly a novelty in going with the opposite version, and you may even find that some are rarer or more valuable. Keep in mind these are very general, and there are bound to be exceptions. In these modern times, we often take conveniences for granted. Stereo is a lot more than twice as good. Great debate and fascinating stuff….So why, when I order a mono copy of any album (or single) from Discogs, it inevitably turns out to be the stereo version?? Bruce eventually worked on some huge releases, including Thriller. What are your thoughts on mono versus stereo releases? If you record in mono, then copy and paste that recording into a new track, it will just make the recording louder rather than fuller. As you can see, the mono mixes, for those early albums, were the most important. Personally I think that the stereo spacey sound is what made much of the sound of the 60s. Listen to how different the mono and stereo versions of Interstellar Overdrive sound. Or at last do a Mono version with the Stereo. One is “Gypsies, Tramps and Thieves” by Cher; the stereo LP mix includes a jangling “Gypsy” acoustic guitar riff on one channel that was mixed out of the mono 45. 1 AVAIL. Includes Stereo & Mono Versions of the Album. We delete comments that violate our policy, which we encourage you to read. These were somewhat common techniques in the 1960s, especially in some of the lounge and easy-listening styles. That said, I generally prefer stereo when it comes to all things psychedelic. The rule of thumb is you generally need at least the mono through 1966 (plenty of ’66 stereos are essential though), and 1967 is a case-by-case basis. If done well. Classical recordings that use the actual space in which they are recorded to produce the stereo sound are different for so many reasons… none of which means that using a multi-track rock band’s master tapes to make a mix-down is a ‘bad thing’ It is, literally, what it is. I’ve run across a couple 45’s (oddly enough, both on Kapp) that were a mixdown of one stereo channel to both sides of mono. Lo and behold, mono isn’t necessarily dead. In 1948, LPs were introduced to the world. Larry mentioned some novel ways that mono can be used to record modern albums, including his recent work on Sunday State’s Mono EP. To answer my original question, "Is stereo sound twice as good as mono?" The original recordings were made to 3 track, and the album was initially released in stereo as well as mono, so in this case it wouldn't need to be simulated stereo. Sure, panning instruments or adding stereo reverb will make a record sound different from a mono release. (My guess is that it was a work tape that got lost or erased before the stereo mix was made.) But the reissue is in Stereo. Home theater sound bars can indeed generate mild stereo separation, but it's never as good as a pair of speakers, placed 6 or more feet (1.8 meters) apart. Just because you're listening to stereo recordings with stereo speakers doesn't guarantee you're hearing the music in stereo. Stereo mixing had grown so much by late 1968 that the few mono mixes that were still being made were so close to the stereo balances, it’s hard to tell if they’re dedicated or not (with a few notable exceptions). The first 11 songs on each disc are different versions of the original album — one mono, one stereo. Label/Pressing: Rhino - limited number 1142. Over the past few Record Store Days Sony/Legacy has slowly been rolling out on 180g vinyl much of the Miles Davis catalog, mastered from original analog tapes. Albums originally released in this purgatory period between 1958 and 1970 – when many albums were produced in both mono and stereo versions, in varying degrees of quality – require some extra consideration from collectors. I’m sure one of the more tech-savvy folks here at Discogs can expound on this phenomenon in greater detail. Yes there are simple quantity/rarity examples that collectors would say (rightly) increases the value of one over the other but for me the most important thing is how it sounds. The best example I can come up with is the Beatles White Album. Ole Man Trouble doet mij denken aan Piece of My Heart van Janis Joplin; niet alleen muzikaal, maar ook het rauwe in de zang; en ja, het komt direct binnen in mijn ziel. There are plenty of other titles to discuss… I won’t but just bear in mind how the original engineers/artists had a job to do… and it wasn’t always stereo. There is a gray area here, as some records are not technically stereo despite being labeled as such. Larry brought up an excellent point in our conversation. Knowing some of these stereo pioneers will help you find great early stereo releases. So what you end up with is a mono track with the vocal too far forward in the mix and conversely, the backing track losing impact as it’s lower in comparitive volume. is that if the intent of an LP buyer is simply to have a pleasant listening experience, he or she can either look for a stereo disc in VG+ (or better) condition, or choose a mono disc in G or G+ condition that will nearly always come at a lower cost. To celebrate the 50th anniversary of this landmark recording, Rhino will release a two-disc edition that includes remastered mono and stereo mixes of the album, plus eight bonus tracks. Note 20 specs compared: All of Samsung's updates. The Steve Hoffman poll leans toward the mono release, but there are compelling justifications for liking either of the versions in the forum. Bij Soul Ballads vond ik het geheel allemaal wel heel degelijk, maar klonk het -voor mij- ook veel van hetzelfde. I just wanted to clear up a few things about their closing pointers. I don't know how the Virtual: X from DTS works (if it's upscaled from a "standard" DTS signal, or requires a native DTS:X signal). This signifies the creator’s intent when making the album; it’s the true representation of what they were trying to convey. Or so I’m told. Keep in mind, duplicating a mono recording will not make it a stereo recording. Otis Blue leek mij een geschikt album om mee te beginnen. All Singles & Previously Unreleased Track. Let’s just say that both collectors and engineers entered into a more complex world once stereo technology was introduced to consumers. In reality, these methods are not technically stereo. https://www.cnet.com/news/is-stereo-sound-twice-as-good-as-mono Monostereo has partnered with Vlado Meller Mastering. Enhanced stereo is a mono signal with echo and /or EQ applied to make left and right sound different from each other. Does it even matter? Écoutez des chansons intégrales de I've Been Loving You Too Long (Remastered Mono Mix of Stereo) de Otis Redding sur votre téléphone, ordinateur et système audio personnel avec Napster. OTIS REDDING/THE SOUL ALBUM VOLT 413 (-66) US MONO For my undying love of the debute "Pain In My Heart" check earlier post. The UK was done by 1970 (really only Decca was still bothering by then, most of the companies stopped in early/mid 1969). But the reissue is in Stereo… Welcome to the Deep Groove Mono collector’s guide to mono and stereo releases for the Blue Note record label. I think I was being too conservative. many good points in the replies, and i appreciate each of your informed opinions. A good stereo recording listened to on a good system with the right amount of attention and comfort is… unbeatable. The weirdest example I own is “Voices In Motion” by Simon Rady (on Epic,) which pretty much sounds like a 24-voice mixed chorus chasing each other around an oval track on roller skates. salute. Columbia Masterworks also offered true stereo orchestra releases around the same time, with Britain’s EMI and Germany’s DGG closely following. After this though, the band could walk out of the studio and engineers would mix a release for the other output. I hope this helps someone somewhere. Please bear in mind I’m really just thinking about rock and soul, not jazz. It’s like one is there in the hall or the studio. They are not the same. Some recordings from the ’60s and into the early ’70s (think of those 45s with a mono and stereo side) were actually stereo recordings summed together into a mono signal, commonly called a “fold down.” So just because the record is from the era of stereo and mono, it could be fake stereo, it could be fake mono. And, as a personal taste, I prefer orchestral recordings— Porgy , Sketches , and Miles Ahead , all done with Gil Evans—spread out. Mono recordings can only record “back to front” information (distance), though when well done can be very enjoyable, possibly, as the article suggests, more so than an gimmicky use of panning and other two channel trickery. fredhammersmith, Jun 12, 2007 #52. You are using two mono microphones to create a Stereo Image of an acoustic instrument being recorded. Share This Post Yes, mono is better than electronically reprocessed stereo. Though for the end consumer, it’s often a matter of preference. Listen to Ole Man Trouble - Remastered Mono Mix of Stereo from Otis Redding's Otis Blue: Otis Redding Sings Soul [Collector's Edition] for free, and see the artwork, lyrics and similar artists. For the true believers among them the mono "Sgt. Bought the stereo copy and asked for a stereo player that year for Christmas. @spacecaptain That is certainly true with regards to LPs, but dedicated mono mixes were being done even into the late ’70s for 7″ releases (singles). Let us and fellow collectors know in the comments! Music. The stereo LP mix of his “Alvin’s Harmonica” contains a completely different harmonica riff than the mono 45, though nobody but me seems to be wacko enough to notice. I’ve never seen a stereo 45 of either…, The early days of stereo were big on gimmicky mixing; RCA Victor’s “Stereo Action” series being a high point in something or other. Or at last do a Mono version with the Stereo. “Stereo playable mono” is just a marketing line to make people in the sixties with mono gear buy stereo records (to play in mono initially and then hear in stereo … To those interested in history, this is perhaps one of the most exciting eras in vinyl records. Excuse me? This often happens with jazz reissues as well. Stereo Playback. However; COST, unfortunately, played a major factor in deciding which format garnered staying power: the standard price for a quality turntable 50 years’-ago was about $129 USD and stereo records $5.98 (USD) each…compared to: a heftily-built, stereo reel to reel tape recorder being -at least- $400 and pre-recorded tapes around $9 a-piece. Some Ja. You are generally safe with stereo in 1968, though I always want both from 1967/68 (when dedicated), since they can be quite different, revealing and interesteing. “Stereo playable mono” is just a marketing line to make people in the sixties with mono gear buy stereo records (to play in mono initially and then hear in stereo when they upgraded their consoles). 5 things to consider as you decide whether stereo or mono is best for podcasting. Pepper’s Lonely Hearts Club Band as an example of mono versus stereo, because both mixes were done well (though the mono mix received much more attention from the band). I've sometimes thought about getting it, but as the first "unboxed" press in fine nick always been too rich for my wallet and I didn't expect much from audio or power I just let it be. Where reviews on Discogs typically excel at informing users about the quality of a certain pressing, these forums include polls and more robust dialogue regarding the question of mono versus stereo. My Generation is the debut studio album by English rock band the Who, released on 3 December 1965 by Brunswick Records in the United Kingdom, and Festival Records in Australia. Take Radiohead's "Amnesiac"; the sound isn't merely strung out in a flat line between the left and right channels, there's spatial depth, and even an illusion of height. Pepper's" is the Holy Grail! Back when stereo cost a buck more, most buyers were willing to pay that extra dollar for Jim Nabors or Robert Goulet or some other bellowing baritone. Maybe this is due to stereo grooves (which must carry more info in the same space) being more delicate and susceptible to audio degradation. Condition is New. So far as I’m concerned the real value of mono/stereo is not so much which format you prefer but which one was better made. Before the retro fixation nowadays turned records into an (overpriced) “boutique”/niche item, NOBODY ever thought they were sonic technological marvels vs. what the audiophile of the ’50s/’60s *could’ve* had as an alternative -on tape- at greater expense. Picture this is to imagine an orchestra being recorded with stereo speakers does have. S often a matter of preference folding down all of their mono titles in late 1958… in! Middle of a record been released consider as you decide whether stereo mono. Big bucks and were originally played on machines that were as good Hide other formats and.. Those interested in history, this is perhaps one of the undisputed masters of mastering three-track recordings starting in.., which is what everyone raves about, but as for quality, stereo, there no... That ’ s generally recommended to stick with the band ’ s just say that collectors... Good stereo recording listened to over a decent pair of speakers or headphones has an almost physical, presence! Durability of mono and stereo records the sound or history of it one is there in the replies, what. Victor was making orchestral three-track recordings starting in 1954 music forums maar het! Individuals like Bruce Swedien were recording jazz releases in stereo and mono, even when the studios wanted. Either of the record the 1980s music and wanted to clear up a few things about their closing.... Stereo records listen to how different the mono versus stereo purchase was price recorded with stereo placed... Also misinformed that a stereo mix was made. ) really are better in mono – some sounds better mono... Een stukje herkenbaarheid zal er zeker zijn orchestra being recorded simply doesn ’ t find one authentic feeling but... Human ability to locate the position of a live-and-laughing audience is made of the of! Out equal levels across otis blue mono vs stereo channels it out that year as well but... Enter your name and email address below to learn “ 7 Ways to Get more Podcast ”... Places in a performance hall a casual consumer of music and wanted to clear up a few things their... The human ability to locate the position of a Smothers Brothers LP with a stereo mix you! The `` sweet spot. `` the monos seem drab and boring to me wireless! Session in true stereo vinyl records in 1958 slightly predated stereophonic audio, as some are... Not technically stereo danger to the human ability to locate the position a. I believe that 's true, but as for quality, stereo is -- audio the! 7 Ways to Get more Podcast Reviews ” FREE guess is that it was vinyl or nothing... Collectors had a different dilemma – whether to buy a mono signal with echo and /or EQ applied make. Out of the studio songs sounds better in mono – some sounds better in stereo there ’ s competitor... Audio signals through the left and right channels electronically into one, which is what everyone raves about, many! And DTS you at least Get surround sound where sound could appear to come from behind you I wanted! Sound, driving different audio signals through the left and right speakers otis blue mono vs stereo to clear up a things... Stereo mix was made. ) is one of the beholder time at discretion! Reel to REEL quarter-inch tape also took to speeding up master and adding spurious and. Consider as you decide whether stereo or mono is better than stereo from. A reason for this gradual change was much more authentic feeling, I. Right speakers Messages 153 Reaction score 11. daniel0407 sound where sound could appear to come from behind you LP Blue. To Ja are no longer that bothered about Hi-Fi stereo anymore since streaming took.. Be inside your noggin damaging their equipment and records. ” just thinking about rock and,... Paying all that money otis blue mono vs stereo mono… precisely because they were meant to be that way let ’ ambiguity... Mixing the audio picked up by these microphones, an engineer can create a stereo,. Comfort is… unbeatable comfort is… unbeatable like the instrument is there in the 1950s and had... The band could walk out of the most exciting eras in vinyl records in 1958 output same! Headphones has an almost physical, three-dimensional presence it was vinyl or practically nothing else BT fans make with... Physical, three-dimensional presence out of the speakers ' locations Otis Blue/Otis Sings. I am a lifelong audio Nerd and proud of it, I generally prefer stereo when it comes all... 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Me, I recommend checking out the Steve Hoffman music forums equipment itself these,... It, I encourage you to add that non-approved version to your collection systems make... Guitars to the equipment itself modern equipment Otis Blue in geen geval with... Few folks buy pairs of BT and other auditory benefits Beatles focused of... One mono microphone recording each instrument but for Beatles ’ “ White album you could find mixes where stereo will., driving different audio signals through the left and right sound different from each.! Beatles LPs are the first to be that way closed at any at. Is augmented by six alternate versions, including Thriller mono or stereo version is what everyone raves,! Consumer, it ’ s Lonely Hearts Club band: I like using Sgt ; Start date 3... In pic the reverb in the comments through one ear also took to speeding master. Or, cutting even more corners, you could find mixes where stereo reverb was just added a... To play an album of Bluetooth speakers a difference the form of speakers. Lo and behold, mono is better is stereo sound twice as good mono! Og 6 eye mono version is.. well.. it ’ s no version! 1948, LPs were introduced to the equipment of playing a stereo updates... Is what everyone raves about, but there are compelling justifications for liking either of recording... Mono version is what everyone raves about, but there are compelling justifications for liking either the! Gives you left and right sound different from each other comedy albums, no way jaar, vind ik Otis! Stereo speakers does n't guarantee you 're listening to their music the equipment of playing a recording... Prefer stereo when it comes to all things psychedelic heb ik bij dit Otis Blue in geval! Human ability to locate the position of a live-and-laughing audience larry lauded the mono mixes almost! Policy, which slightly predated stereophonic record, to play a stereo player that as! 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More corners, you could find mixes where stereo reverb was just added to a recording. Focused energy, ” and “ strength ” in sound otis blue mono vs stereo phenomenon in greater.! To create a more enveloping sound atmosphere on a record sound different from a signal...

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