sherlock jr letterboxd

We gathered how rich he is because an introductory intertitle informed us that the father had so little to do during the days that he hired a male companion (Erwin Connelly) to aid him with doing nothing. © Letterboxd Limited. 01, 2020. In the dream Keaton is joined by his theatre manager now known as Gillette (in a homage to the first actor who portrayed Sherlock Holmes on film), who also has the innate capacity to do very implausible actions outside of a dream like his sleuth partner. A list of 44 films compiled on Letterboxd, including 12 Angry Men (1957), Angels with Dirty Faces (1938), Annihilation (2018), The Big Sleep (1946) and Bill & Ted's Excellent Adventure (1989). letterboxd… Like reality repeating itself in a nightmare, once again it is Crane who pushes him back out of the frame (and her life) to the other side of the screen - a sure sign that only one of these men can reside in this picture without disruption to Crane’s characters villainous intentions. Charlie Chaplin, perhaps the most famous to a modern viewer, frequently makes us feel more pathos and empathy than anyone else with an emotional clout and social commentary permeating, but this irks some detractors as sickening sentimentalism. The door opens to this mansion announcing Keaton’s arrival in the movie/dream and here he enters with clean white fitted gloves, a dapper outfit and top hat, poised and elegant with a professional swagger way that defies his amateur sleuth alter-ego. Army of Shadows. My arbitrary definition of a feature-length film—no less than 45 minutes—was derived specifically from Sherlock Jr.'s length, as noted in Leonard Maltin's Movie Guide; it's the shortest film I found listed there, so that's where I drew my line. I refer once more to Murray’s critique: ‘Every bad thing that happens to the projectionist occurs in the space of a cut, and serves to keep him trapped inside the box. Back at work, he falls asleep in the projection booth and dreams that he literally steps into the movie screen, where instead of a clueless grunt, he’s a suave, sophisticated detective named Sherlock Jr., who solves the crime. He did not mimic the popular competitors who attracted a wider fanbase, but carved out his own unique character evolution. I thought it'd be interesting to make a list compiling the 250 highest rated films according to Letterboxd. At one point Keaton uses another superimposition effect to show him dive out the window from a visible interior to a suitcase perched with a ready-made costume, and he casually saunters away without any hiccup in the accomplishment. Made by fans in Auckland, New Zealand. James Agee notes how ‘Keaton’s face ranked almost with Lincoln’s as an early American archetype; it was haunting, handsome, almost beautiful, yet it was irreducibly funny.’ His large, deep expressive eyes could reveal so much amidst the poker-faced visage, like an imposing statue with penetrating eyes that stare back at you from any angle. He is ‘flummoxed by a series of edits that leaves him stranded and often in perilous situation’ states Kevin Lyons. Had to watch that at least a dozen times before finally confirming to my satisfaction that there is indeed a cut. Murray states how the gags are based on ‘Keaton moving on the same plane as the other characters’ like a primitive computer game where two-dimensional characters could only move along the horizontal axis from the left or right side. Which one most deserves a place on that list? It is debatable whether the film represents the pinnacle of Keaton’s best work, as many would choose "The General" (1927) for highest elevation, but "Sherlock Jr." is the perfect entry-point into his filmography, and also a splendid starting title for a daunted virginal viewer to experience their first film without sound. This presents one of the film’s biggest laughs as he immediately follows behind the tall figure of Crane walking in synchronicity along the footpath and even clipping his heels from the very close shadowing. Keaton was a veteran of the vaudeville life from a very young age, where I learn that his father threw him around from the age of three, and it was in these formative acts that Keaton understood how the live audience would be more inclined to laugh at his acrobatic and gymnastic endeavours when he finished with a neutral expression on his visage rather than smiling at the achievement. Film data from TMDb. Graham Williamson refers to it ‘as one of the first metafictional films,’ as Keaton’s dreamer pictures himself as a professional detective - the Sherlock Jr. of the title - giving him a second opportunity to solve a robbery case (once again the culprit is Crane, and the father’s hired servant is now an accomplice for good measure) and this time he is less likely to miserably fail at uncovering the true crook or be embarrassed as the pseudo-thief. Life... is a paradise to what we fear of death. (Apparently I wanted to kick off the year with a certain winner.) Doubly arbitrary, of course, in that projector speed hadn't yet been standardized in 1924, which means that Sherlock Jr.'s length is properly measured in feet/reels, not via the clock. Oct Another comedic star of silent pictures, Harold Lloyd, wowed contemporary audiences with his daredevil stunts although he did not direct his own pictures like his main rival - Chaplin - from the period. No better example of three-part structure than the "money lost in the trash" bit, which uses recurring humor to set up the punchline for a third iteration (Keaton pre-emptively handing his last dollar bill to the behemoth), then trumps that joke with another, truly unexpected fillip. Keaton masterfully orchestrated the separated locations with a single, still establishing shot so that the movie screen and the seating auditorium are both visible, but once the projectionist’s bodily components are accepted by a linear narrative, Keaton the director uses a push in camera movement from the back of the auditorium towards the large screen, which culminates with an assisting gentle zoom in a fluid motion to bring the movie/dream to a domination of the frame, and our director never once imposes a shot reverse shot to the audience out there in the dark immersed in the spectacle. It just felt like a better number to stop at. Like an expert magician, Keaton misdirects your eye by gesturing at the crowd just before the cut, so that we're looking at him...and he's perfectly positioned before and after, making the action appear continuous and the effect seem impossible. This doesn't seem like a feat that even the world's greatest pool shark could manage; I watched it—again—again and again and again, and cannot for the life of me see how it's possible to deliberately engineer that result. It would be a mistake to engage with a silent movie without the non-diegetic score unless you are a battle-hardened viewer of the medium. 92. There will always be conflicting assessments as to who was the greatest of all the comedic clown performers during the Silent Era of filmmaking. The Stoneman family finds its friendship with the Camerons affected by the Civil War, both fighting in opposite armies. With Buster Keaton, Kathryn McGuire, Joe Keaton, Erwin Connelly. When he first takes aim at the bomb (grenade? Keaton stepping through what we'd naturally but falsely assumed to be a mirror, or opening what appears to be the door of a large safe and stepping out onto the street, the surreal nature of the gag delights. 1969. The girl of the tale (Kathryn McGuire) is being pursued by both the clean-shaven Keaton and his nemesis, the local sheik (Ward Crane) sporting a Chaplinesque moustache. I finally admitted defeat and looked it up, but confess that I still have trouble mentally picturing what happens, even after reading a detailed description. He invades the film’s diegesis because he takes exception to the Crane and McGuire characters in a romantic embrace. 24. The film’s inspired plot device begins once Keaton implements a superimposition technique whereby the spirit of Keaton’s character appears to exit the body of the projectionist asleep on a stool in his booth, and we are astonished to see two images of the actor within the same shot. Of course, since it is Keaton’s dream anything is possible and as it resides within a potent wish fulfilling urge to be taken seriously as a detective, the fact that the dreamer exists as invincible and indestructible can explain some of the incredible feats he endures. You can see its influence in much later great movies, where characters dream of a perfect cinematic alternative world to live and breathe in to avoid the brutal horrors and disappointments of the cruel real world where they envisage themselves as self-loathing failures. The Lord of the Rings: The Two Towers (2002) Rotten Tomatoes® 96%. Film data from TMDb. After the protagonist follows his man (from right-to-left) until being detected, Keaton ends up on the top of a moving freight train jumping from carriage to carriage left-to-right, in another exquisitely well-placed camera shot where the actor completely trusts his ability to complete the stunt without being displaced from the stationary frame of the camera’s eye. They are all in the movie dream in a manner that will pave the way for "The Wizard of Oz" where we know they have no idea of how their doubles performed inside the dreamer’s mind. Film profile for Buster Keaton, Director and actor, born 4 October 1895. Pather Panchali (1955) Rotten Tomatoes® 97%. [4,161 word essay] According to Buster Keaton the idea for his "Sherlock Jr." was anchored in a desire to capture the impression of a dream on celluloid, by blurring the distinctions between reality and fiction. Mishima: A Life in Four Chapters. Films include The General, Sherlock, Jr., and One Week. Jody uses Letterboxd to share film reviews and lists. I'm assuming that ball was glued to the table. Bio: I love movies a lot, just call me MOVIEHOLIC. "Sherlock Jr." entered the public domain in January 2020, allowing a wider audience a better chance to discover this incredible innovative director and actor from silent motion pictures through this fantastic offering. Seven Chances (which is one of my dozen or so favorites of all time) makes me laugh more consistently, and Sherlock Jr. "suffers," in a very negligible way (let's call it four points out of 100! David is using Letterboxd to share film reviews and lists with friends. 1985. Keaton directed further reels and intended "Sherlock Jr." to be much longer than its final edited version, and he had full directorial autonomy to decide how best to shape his films as he did for all his art during the incredible output of the 1920s. Keaton’s other great love is his desire to become a detective, and in the first shot he is seen devouring a book outlining the key criteria as to how one can become a great detective (and he is wearing a fake moustache ti indirectly preempt Crane’s first sighting). ... Sherlock, Jr. (1924) Rotten Tomatoes® 94%. Jean-Pierre Melville. 461 films watched. Plus it's just plain silly to criticize a movie for relentless awesomeness. The sight gag is double-layered, for it suggests how Buster is somewhat chaste in his relations with women and also comments on the censorship of cinema and how this prevents Keaton the filmmaker from allowing his acting proxy to imitate the final step. In terms of just plain awe, I'd say cinema peaked here, ludicrously early. Letterboxd is a website for logging, discussing and rating films. (He then performs two more complicated near-misses without an edit; those shots aren't as insane, but do seemingly require him to put the cue ball in exactly the right place via shot #1.) Bio: I … So I had a bit of a crazy idea. Could not figure out how it's done. (The accomplice walking away afterwards—with no cut that I could discern in this instance—is the sticking point.) David Stratton mentions how Rene Clair compared the film to Luigi Pirandello’s play "Six Characters in Search of an Author" in its metafictional commentary on character internal wishes within an exploration of cinema’s perceived realism. Bio: I love and watch movies because it give me a short break from my life. Keaton must make do with purchasing the cheapest chocolate box after returning cinema patrons enquire about lost property, and Keaton reluctantly hands over the cash once satisifed that the money did belong to the correct owner. Film critic Noel Murray discusses this sequence in detail, positing the conceptual thought that the film is all about a geometrical rectangle (within the frame of the screen that is displaying the film). He opts to peak through the frame of the projectionist booth out into the darkness of the movie theatre and take his cues from the male and female actors now performing a romantic scene of tenderness. This site is protected by reCAPTCHA and the Google privacy policy and terms of service apply. 91. He waltzes in to surprise the daughter as she sits next to Keaton on the couch with the two would-be lovers nervously attempting to proceed with physical gestures of affection. When Keaton first walks into Hearts and Pearls, it's easy enough to comprehend that he's simply stepping onto a set that's been framed to look like a movie screen; when he does so the second time, however, discovering that the film-within-the film has just cut to a different scene, the edit in Sherlock Jr. itself is nearly impossible to spot unless you look at the audience, which shifts ever so slightly. For example, he turns up in various concealed disguises at a moment’s notice, and partakes in two of the greatest instances of cinematic trickery that will have you scratching your head as to how they were achieved. he’s a prisoner of cinema - and of all the tricks at a filmmaker’s disposal.’ Unlike in his reality where he can divert from the rectangle, here he is at the mercy of the experiment and though Keaton probably never intended it to be analysed as such, there is a strong sense of this segment channeling dream logic as the dreamer’s immediate dive from waking life mixes with fragments of thoughts until it gradually settles into something more cohesive. This characteristic separates the Keaton and Crane characters. 96/100 Second viewing, last seen New Year's Day 1995. Rewatched I can only assume that Keaton filmed it like 200 times and finally got a take that was miraculously perfect. His deadpan humour was not dead on arrival because of those compellingly alive optics ensnaring the viewer’s sense of identifying with the human being and crossing over into the movie world he created. At three-quarters of an hour in length, the movie is only five minutes longer than the maximum duration boundary for shorts to qualify as Oscar possibilities in those categories, but having seen the film dozens of times I never feel like the barely feature-length running time is an issue. Sherlock Jr. was also Keaton's most complicated film for special optical effects and in-camera tricks. But maybe it was akin to Sigourney Weaver nothin'-but-netting that no-look over-the-shoulder half-court shot in Alien Resurrection. How many of all of those films have you seen? Favorites: The Godfather (1972), The Godfather: Part II (1974), Joker (2019), Up (2009). Originally he had hoped to co-direct the picture with his mentor Roscoe 'Fatty' Arbuckle, after remaining a loyal friend to the man in the aftermath of a scandal that ruined his reputation, but once issues arose during filming Keaton wisely protected his art tactfully without severing his relationship with Arbuckle. But he fires the cue ball into 12 other balls surrounding it, and not one of them strikes the 13 ball, though several miss it by inches. I sometimes chafe at the notion that short films should be judged against feature length movies, but at Flickchart they intermingle like expelled schoolchildren invading a late-night cocktail party. For all the titles in my great movies collection: letterboxd.com/davidwallace/list/great-movies-collection/. 106. All Quizzes. A film projectionist longs to be a detective, and puts his meagre skills to work when he is framed by a rival for stealing his girlfriend's father's pocketwatch. Bio: I have been a lover of films for as long as I can remember. Even the trick shots that are executed to perfection are all done by Keaton himself, there are no special effects or subliminal editing cuts to achieve the desired movement of the balls. One need only consult moments on live television where sound is momentarily lost and a presenter is accidentally rendered speechless to accept how much spectators depend upon the audio-visual dynamic for convenience. This leads to the film’s first extended gag as our hero discovers a dollar bill in the collection of rubbish and now has enough cash to buy an expensive box of chocolates in the adjacent shop for his object of affection. Having been utterly flummoxed by this gag 25 years ago, I was determined to solve the mystery for myself this time. It seems literally contrary to the laws of physics. Guess the highest rated films on the site as determined by Lettterboxd users. 65. Peter Jackson. Sherlock Jr. (1924) Global Flickchart Rank: #143 My Flickchart Rank: #972. Sherlock Jr. (1924) cast and crew credits, including actors, actresses, directors, writers and more. Jun The 1001 Movies You Must See Before You Die book series but with a twist. "Sherlock Jr." is one of his best features. 105. His silent movies are his greatest triumphs, not because he was unable to produce quality noises, but because in the silent years he had total freedom to work with precise precision in assembling his gags, stunts and chase sequences both in front of, and behind, the camera lens. This is something that endears him to a modern audience as many contemporaries hammed up their expression of an emotion for a fuller effect and this can play out as somewhat hokey by today’s levels of tolerance, whereas Keaton seems imported from a later period of cinema history with an understanding to the advantageous toning down of the theatrical style. Gargantuan Must-See Movies List (Official 1001 List + Letterboxd 1001 List Combined) show list info. Or rather, the best series of films I’ve ever seen. Osiris66 uses Letterboxd to share film reviews and lists. Dr. Strangelove or: How I Learned To Stop Worrying And Love The Bomb Acted in The General, Sherlock, Jr., and One Week Crane’s deception has been conducted in a desultory way prompting him to quickly improvise once the father discovers his watch is missing, and ironically he frames Keaton for the crime by slyly utilising the self-help bullet points in Keaton’s detective manual. Letterboxd and IMDb Top Films - Page 3 show list info. This film is nearly 100 years old. There's no cut when Keaton leaps through a display case and a human being's torso and a wooden fence, though. He grabs hold of a water pipe as the train passes below his feet and is powerfully washed to the ground. Dario uses Letterboxd to share film reviews and lists. Likewise when he wanders to the house of McGuire’s girl whom he plans to ask for her hand in engagement, he sneakily amends the pencil-drawn price on the box from one dollar to four dollars. 2020. The genius of the film is how it draws us into this parallel narrative so deeply that we begin to forget that this is a dream, and even that it is a movie being watched by an audience because it so seamlessly ignites our full awareness with masterful sequences, such as the billiards table segment in which Sherlock dexterously avoids all the villain’s scheming traps. 98. When he gifts the chocolates he specifically turns it over to try and draw her attention to the price he paid. (My ancient Kino DVD—a twofer with Our Hospitality—lists its runtime as 44 minutes.) It is a film he simultaneously directed and gave a leading role performance, with all of the spectacular stunts executed by Keaton himself rather than a body double. Inglourious Basterds (2009) Rotten Tomatoes® 88%. My arbitrary definition of a feature-length film—no less than 45 minutes—was derived specifically from Sherlock Jr.'s length, as noted in Leonard Maltin's Movie Guide; it's the shortest film I found listed there, so that's where I drew my line. As Murray describes the stinging joke scenario’s appeal through the realisation that ‘all the steps elided in editing can’t be shown on screen, no matter where Keaton sets the camera.’ That was true for a movie made in 1924 and almost one hundred years later it is still a risky taboo in a family feature film. Crane bends down to pick up a discarded cigarette and it is caught by Keaton as he throws it away in a scene that reminded me of "M" although Keaton does it to further his engrossment with the subject than because he craves a drag. When the front facade of the house topples upon Keaton and our plucky protagonist remains standing as the gap in the window frame passes around his body frame, he casually turns his head backwards to inspect the damage quizzically, but without overly theatrical swoops and contorted facial expressions. Keaton’s films were never as popular during the zeitgeist of this formalist cinema, yet many of his works have in modern times grown in reputation and stature; arguably he is the actor/director who newcomers to the Silent Era tend to find most accessible, for his films generally do not feel as dated nor completely of their time, and they still make us laugh. In real life, though, it’s the girl who puts the pieces together and figures out who really stole the watch. 64. 1001 Movies You Must See Before You Die (Letterboxd Edition) show list info. 2002. Directed by Buster Keaton. And its second half is pretty much a nonstop parade of How in the almighty fuck?!? In other movies from the era there is a tendency for one character to avoid saying something important to another character that would nullify the entire narrative, but on this occasion the plot respects its character’s intelligence. Presented are the 35 highest ranked titles from Letterboxd that are not on IMDb's Top 250. That is true enough but it is staggering to reflect upon how Keaton still had to achieve all the dangerous stunts naturally for his onscreen perfection to be committed to celluloid. 300 films watched. Letterboxd is a "social network for sharing your taste in film" and has been described like "good reads for movies". Imogen Sara Smith intimates in her biography of the actor/director: ‘Keaton never forces a response from the audience, never manipulates, never overplays. While she has figured out that this projectionist is innocent, he continues to be innocent and naive now in attempting to reciprocate the affections bestowed by his beloved. He did not set out to make something akin to surrealism, yet as we view the film almost one hundred years on from its initial release we can appreciate how Keaton’s forward-thinking, fortitudinous approach predicted the radical notion that the celluloid form of moving pictures could conjure a dreamworld of abstractions. And even when it's perfectly obvious how an effect was achieved, e.g. I'm emphasizing the jaw-droppers because those make the strongest impression here, but it's not as if there aren't sublimely simple gags as well. Sherlock, Jr., 1924 - ★★★★½ Source: Letterboxd - Thijs Meuwese Published on 2021-01-01 The Cameraman, 1928 - ★★★★½ I love Keaton’s reaction to his rival’s entry as he slightly elongates his neck with a perplexed look over his shoulder and a delicate blinking of his eyes, suggesting his stunned reaction with restraint at how someone of his social class could afford that item legitimately. not solving the case) and taking comfort in a wish fulfillment fantasy secured by a lucid experience, which ultimately has minimal positive energy for those not being part of the dream, and her steadfast problem-solving is a welcome addition. As amazing as these movie/dream detective events are, the best sequence as I mentioned occurs on the actual periphery of the two worlds colliding. It's almost too astonishing, with so many consecutive dazzlers that it's hard to believe you're watching an actual film and not a Buster Keaton best-of. But the reflexive ending, with our hero repeatedly consulting onscreen lovers for tips on how to woo his own paramour, ties a satisfying life vs. art bow onto the whole thing. The film that is being projected features characters whose identities will shift until they are all portrayed by tulpa replicas of the persons involved in the parallel narrative, leaving the film within a film to advance far beyond a background decoration. Favorites: The Princess Bride (1987), Sherlock, Jr. (1924), One Flew Over the Cuckoo's Nest (1975), Spirited Away (2001). (Apparently I wanted to kick off the year with a certain winner.) 518 films watched. Crane’s sheik is shown passing the shop as well with his eyes on the same chocolates but he is cash-strapped and must save face by reciprocating the glance of the female shopkeeper who notices his dilemma. (Sorry, "A Day in the Country.") Paul Schrader. © Letterboxd Limited. 92. My current favourites in Letterboxd (I would add images or links to videos if I could) 1:Heimat - Edgar Reitz -The best tv series ever. This gives the film its final riveting gag to leave the viewer smiling as the end title card is displayed, and it perceptively articulates how human beings tend to pluck up extra courage by imitating the larger-than-life movie stars of their escapist leisure time. Comedies, Dramas, action/adventure, mysteries, superheros; I watch all genres. It was achieved through the power of suggestion, for Keaton had a stage built to mirror the movie’s location and give the illusion of the character somehow stepping through the screen. Random ... Sherlock, Jr. 90. ‘In Keaton’s world, nearly every problem can be solved through simple geometry,’ explains Murray. Watched Keaton has the live audience in the bottom portion of the frame but they reside like very still spectres, showing very muted reaction to the unintentional comedy up on the screen, as their projectionist is subsumed in a form of entertainment that should incite wild reactions. Letterboxd Top 250 Narrative Feature Films (Dec 2020 Edition) - Page 3 show list info ... Sherlock, Jr. (1924) Rotten Tomatoes® 94%. As Anderson intimates: ‘Now that he’s back in the real world, Buster still looks at film for ways to enhance his own dreary life.’ He lived as an invincible detective in the movie dreamworld and surely he can learn the best procedures for navigating love and intimacy by mimicking the predetermined, choreographed scripts of the movie makers. War in their lives plays through to Lincoln 's assassination and the Ugly ( 1966 ) Day.. Crosses over resiliently my life McGuire characters in a romantic embrace popular competitors who a... 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